I’ve just finished reading Mrs. Bridge by Evan S. Connell and before that, I read its
companion novel, Mr. Bridge. I
realize now that this was out of order, since the former was published in 1959
and the latter a full ten years later in 1969. I don’t think it matters. They
complement each other but can be read independently. Each is a domestic novel,
set in the time between the great World Wars and concerning itself with the
Bridge family—Mr. and Mrs., obviously—but also their three children and
everyone else in their circle in Kansas City, past and present. Connell’s
narrative style is straightforward and usually, emotionless; often, observations
and remarks made by the supporting players shed light on the Bridges' character. The novels are separated into numbered, titled chapters. Each section
offers a scene, really, a brief glimpse into the life of either the Mr. or
Mrs., and these scenes build and build in support of what is basically a
detailed character sketch. Here’s an example of a very short chapter from Mrs. Bridge, which gives a flavor of
Connell’s style and also telling clues about the personalities of the Bridges. Also, it shows how we are made to see them through the lenses of
others.
79 Psst!Wherever they went they were promptly identified as American tourists. From every side street some young man would come gliding, a hand in his coat pocket, murmuring in broken English that he had a diamond ring for sale, a fountain pen, a Swiss watch.
“Psst! Hey, mister,” he would begin.
“How on earth do they always
know we’re Americans?” Mrs. Bridge inquired.It was not mysterious to Mr. Bridge, who, however, chose to reply bitterly, for the trip was costing twice what he had estimated, “Europeans can smell a dollar a mile away.”
This is one of the shorter chapters, but the longest is
perhaps only three or four pages. Mr. Bridge’s temperament and prejudices, Mrs.
Bridge’s naïveté, even a mental picture of the two making their way across Europe—so much condensed in so few words. Connell builds a book with
these mental images, adding and adding until we are able to see the Bridges in
full relief. They are wonderfully done. It reminded me of the portraits of Chuck Close, pixelated into
tiny paintings. These novels are what would happen if you could watch
Close’s process, adding one perfect image to another until the entire person
comes into focus.
Evan S. Connell's writing career spanned fifty years and
included work in several genres. His best-selling biography of Custer, Son of the Morning Star, earned critical acclaim and was adapted into a
television miniseries in 1991. The Bridge novels were also the inspiration
for the 1990 film Mr. and Mrs. Bridge starring Paul Newman. Connell passed away
in January of this year; more biographical information can be found here.
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