Poem for the Weekend: Kenneth Mackenzie

The Australian poet and novelist Kenneth Ivo Brownley Langwell (Seaforth) Mackenzie was a character, and his colorful biography is well worth a read. Some excerpts: 

"at Guildford Grammar School, he took no interest in sport and studied only when he felt inclined."
"wherever Mackenzie was, 'wild comedy and wild adventures tended to break out'."
"He was strong, muscular and blonde, and immensely attractive to certain women."

Sadly, Mackenzie's life deteriorated, in large part due to a drinking problem. In his early forties, he accidently drowned in a creek while bathing.

Caesura

by Kenneth Mackenzie (1913-1955)

Sometimes at night when the heart stumbles and stops
a full second endless the endless steps
that lead me on through this time terrain
without edges and beautiful terrible
are gone never to proceed again.

Here is a moment of enormous trouble
wen the kaleidoscope sets unalterable
and at once without meaning without motion
like a stalled aeroplane in the middle sky
ready to fall down into a waiting ocean.

Blackness rises. Am I now to die
and feel the steps no more and not see day
break out its answering smile of hail all's well
from east full round to east and hear the bird
whistle all creatures that on earth do dwell?

Not now. Old heart has stopped to think of a word
as someone in a dream by far too weird
to be unlikely feels a kiss and stops
to praise all heaven stumbling in all his senses...
and suddenly hears again the endless steps.

Poem for the Weekend: Jody Gladding

Jody Gladding lives in Vermont and teaches in the MFA in Writing Program at Vermont College of Fine Art. She has also translated almost thirty works from French. More biographical information here.

Blue Willow

by Jody Gladding

A pond will deepen toward the center like a plate
we traced its shallow rim my mother steering
my inner tube past the rushes where I looked
for Moses we said it was a trip around the world
in China we wove through curtains of willow
that tickled our necks let's do that again
and we'd double back idle there lifting
our heads to the green rain
swallows met over us later I dreamed
of flying with them we had all the time
in the world we had the world
how could those trees be weeping?

Poem for the Weekend: Charles Wright

Charles Wright was named United States Poet Laureate in 2014. Born in Tennessee, he's an Army veteran, a graduate of the Iowa Writers' Workshop, and a winner of the National Book Award. A more comprehensive biography can be found here.


Sitting at Night on the Front Porch

by Charles Wright

I’m here, on the dark porch, restyled in my mother’s chair.
10:45 and no moon.
Below the house, car lights
Swing down, on the canyon floor, to the sea.

In this they resemble us,
Dropping like match flames through the great void
Under our feet.
In this they resemble her, burning and disappearing.

Everyone’s gone
And I’m here, sizing the dark, saving my mother’s seat.
 

Poem for the Weekend: Susan Mitchell

                                               
 
"Right now in America we are witnessing a paradigm shift in poetry, and while I think this is happening for all the reasons I have just mentioned, there is still another, maybe the most important reason: the poet's assertion of innerness, of mind, of psyche at a time when innerness is threatened by nearly all aspects of contemporary American lifestyle. Innerness refuses to be a sound byte on television. Innerness refuses to speak up at a huge poetry festival. Innerness demands that the reader slow down, take the time, pay attention. Innerness demands that the reader's attentiveness be equal to the attentiveness of the poet and the attentiveness of the poem." --Susan Mitchell

More about this acclaimed poet here.

The Dead

by Susan Mitchell

At night the dead come down to the river to drink.
They unburden themselves of their fears,
their worries for us. They take out the old photographs
They pat the lines in our hands and tell
our futures, which are cracked and yellow. Some
dead find their way to our houses. They go up to the
attics. They read the letters they sent us. insatiable
for signs of their love. They tell each other stories.
They make so much noise they wake us as they did
when we were children and they stayed up drinking
all night in the kitchen.

The Suggestion of Color

I saw one of those quizzes on social media the other day, where you’re led through a series of seemingly innocuous questions until something is revealed about your true nature. This one had to do with color and how you see it. There was a square of a cool gray and the first question asked: What color do you see: gray, blue or green? And I immediately thought that I might have chosen gray, but now that blue and green had been suggested to me, those hues were apparent in the sample. It wasn’t green enough to be called green though, and certainly not blue enough to be blue, but now the gray was infused with these more lively tints and couldn’t really be seen as mere “gray” either. The fact that choices were offered had made me unsure of my perception.

 

It occurred to me that writing is an exercise in the offering of choices, in the suggestion of new or nuanced ways to view the world. Isn’t that what we’re doing by inhabiting a fictional world or the mind of a character, especially one who may see blue where we see gray?

 

Recently, I was inspired by an article about paint colors in a home decorating magazine. We’ve all wondered about the people who come up with the inventive names—because, certainly, there’s a quintessential human element in these names and their visceral modifiers, obscure historical references, and strange evocativeness. In fact, here’s an amusing article about what happened when a non-human tried to name paint colors. To me, color can infuse an entire setting, such as the endless green of a forest or the far-reaching blue of an ocean. It can be an intense character feature—a rancher’s dust-covered figure, a red-faced curmudgeon. It can set the mood for a story, such as all the feelings yellow brings to mind. Thinking this way inspired several stories in a collection I’m still working one; some of the stories take a color title: “Resonant Blue,” “Cadmium.”

 

Some people are born color blind, or can only see limited color. We’ve all seen the viral videos of a color blind person looking through special glasses that allow him or her to see color for the first time. How strange that must be, we think, a whole new world.

 

In Chekhov’s story, “Gusev,” a soldier returns from service, dying from an illness. He dies at sea and is tossed into the ocean. The men who remain on the ship watch stoically, Gusev’s body passes schools of fish and a large shark, and Chekhov’s narration then turns very inclusively omniscient:

 

“And up above just then, on the side where the sun goes down, clouds are massing; one cloud resembles a triumphal arch, another a lion, a third a pair of scissors . . . A broad green shaft comes from behind the clouds and stretches to the very middle of the sky; shortly afterwards a violet shaft lies next to it, then a golden one, then a pink one . . . The sky turns a soft lilac. Seeing this magnificent, enchanting sky, the ocean frowns at first, but soon itself takes on such a tender, joyful, passionate colors as human tongue can hardly name.”

 

Gusev’s experience, such as it is, the ultimate, unknown perception—death—is relayed with colors and strange sights. Imagine, Chekhov seems to be suggesting, imagine the unimaginable. Surely there are colors we’ve never seen, colors we’d hardly know how to describe. As writers, this is a quest we embark on joyfully, time and again, hoping to bring at least a few along with us.