Showing posts with label Favorite Reads. Show all posts
Showing posts with label Favorite Reads. Show all posts

Thursday, January 4, 2024

Favorite Reads, 2023

 You can see that we are already well into 2024, but I wanted to share my favorite reads of 2023. Some are independently published books and we all know those can use all the word-of-mouth possible! My reading numbers have gone down in recent years, as I do so much reading for editing, teaching, and now, publishing! I'm not complaining! I love each of these aspects of my book life. In 2023, I read a total of 32 books for "leisure" - whatever that is. I read twenty-one novels, two novellas, one story collection, four graphic novels, two memoirs, and two collections of essays.

Here are my top five reads of the year...and three honorable mention choices. Each of these books, in my opinion, is well worthy of your time. If they could capture my attention and heart in this tumultuous and busy year, that should be worth something! And in no particular order, they are:


Here's the publisher's description: 

"This gripping novel—inspired by true events—tells the interwoven stories of a deformed German infantryman; a lonely British film director; a young, blind museum curator; two Jewish American newlyweds separated by war; and a caretaker at a retirement home for actors in Santa Monica. They move through the same world but fail to perceive their connections until, through seemingly random acts of selflessness, a veil is lifted to reveal the vital parts they have played in one another's lives, and the illusion of their separateness."

I love everything I've ever read by Simon Van Booy, and this was no exception. His style reminds me of some of my very favorite authors - Kent Haruf, Per Petterson - and the way he cuts through to the heart of his characters. 


A classic, for good reason, and probably the book I recommended most this year. A six-year-old girl and her grandmother spend a summer on an island in the gulf of Finland. This slim moment is full of small, tangible moments and big truths, of longing and love, of the complicated tangle of relationships and life itself. If you only listen to me about one book on this list, make it this one (and check out the author's other writing as well).



A reviewer said “Beautifully written and satisfyingly creepy, this is one of the most poignant and original ghost stories I've ever read.”

I agree! This book will surprise you, enthrall you, and keep you thinking long after you set it down. It's about family and time and memory, and the relationships that define us. 

I'm thrilled that I'll have a chance to hear the author talk about the story in person this year.



Full disclosure: this author has a young adult fantasy book coming out with Type Eighteen Books this April, and she kindly sent me this copy of her earlier book. Elizabeth has done and continues to do many amazing things, but at some point, she was a shepherd, and the local "Ask a Shepherd" on a CBC radio show. This is a collection of her letters for the show, and I found it compulsively readable, endlessly fascinating, and representative of her particular charming and intelligent writing - which is why we took on her new book in the first place. I loved this unique read.





This book was the last in my Summer of Summer reading project...and now I'm realizing I never wrote a post about it. I loved it! An eerie and immersive read about a relationship that begins over the course of a summer and goes through a series of changes and transformations, as relationships do. I loved the POV of this novel, an unreliable character who is simultaneously exasperating and completely relatable. Once in, I had a hard time putting this book down.


And now the honorable mentions:

Another slow cooker book. This one takes place in the late 1960s, in the English countryside where an awkward single woman eavesdrops on the interesting couple residing below her. The publisher calls it "a seductive psychological portrait, a keyhole into the dangers of longing and how far a woman might go to escape her past."


Like a couple of my other choices this year, this book surprised me with its approach and twists. Recommend!



A story collection from the same publisher as Magdalena - they're doing something right! The writing in this collection is gorgeous, and the settings and range of characters are fresh and surprising (I guess I wanted to be surprised this year?!?). And like most writing I like, the characters are relatable and leave me with emotional or intellectual takeaways. I must read more short stories in 2024!




I loved this story written by a daughter about her mother's life. From the publisher: 

"The story of a woman whose life spanned a century of tumult and change. In many ways Nance’s story echoes that of many mothers and grandmothers, for whom the spectacular shifts of the twentieth century offered a path to new freedoms and choices. In other ways Nance was exceptional. In an era when women were expected to have no ambitions beyond the domestic, she ran successful businesses as a registered pharmacist, laid the bricks for the family home, and discovered her husband’s secret life as a revolutionary."


This is a brief, perhaps not formatted expertly post, but I did want to share my favorite books of 2023. And I do pay attention to your Best Of posts, too, and usually add many of your choices to my list. Happy reading in the new year, everyone!

Saturday, December 31, 2022

Favorite Reads, 2022

The fact that I'm squeezing this post in on the last day of the year is quite representative of the year I've had! 2022 was busy, but I managed to read 30 books from my last end-of-year post to today. This range seems to be the new norm. As I sit here with my ever-expanding list of goals for 2023 (including publishing a new book - more on that soon), it may seem unrealistic to say that one of those goals is to increase this number in the new year. But that's the plan. I'd also like to make sure to include short story collections next time, so any recommendations are welcome. 

In 2022, of the 30 books I finished, 21 were novels. I also read five books of poetry, and four non-fiction titles. This year's Favorite Reads list is dominated by the author I read all summer, William Faulkner. I read five novels by the master and one biography about him, and I've included four of those six books on the list. They're that good. If, like me, you've considered returning to his work for some time...I'd highly recommend you do. So I'll start this year's list with those books.

Faulkner: The Man and the Artist by Stephen B. Oates (1987)

This extremely readable biography is novelistic in approach and gives insight into the personal experiences and struggles that formed Faulkner into the man and writer he was. There was much in here I remembered about Faulkner - his troubled marriage, his drinking - and much that was new to me, such as his early support of civil rights and his long, complicated involvement in Hollywood. A great start to a study of the author and his work.

I'm including three novels as favorite reads this year. Each showcases that unique Faulknerian approach: rotating points of view and a sort of stream-of-consciousness omniscience. And yet. The aspect that surprised me the most during my summer reading project was how different each novel was, even while being unmistakably Faulknerian. Each is a masterpiece, in my opinion. They are:

The Sound and the Fury (1929)

As I Lay Dying (1930)

Light in August (1932)

I've linked each one to my original commentary. And now, the rest of my favorite reads for 2022.


Fever Dream by Samanta Schweblin (2017)

Speaking of points of view, this slim novel will keep you guessing about who to believe and about the nature of reality itself. This haunting story about a summer vacation gone terribly wrong poses many questions about parenting, humanity's plundering of the earth, and the limits of our minds. It's compulsively readable and at times, downright scary. I've never read anything like it, and the 2021 movie adaptation (on Netflix) stays true to the tone and effect of the novel as well.


The Untethered Soul by Michael A. Singer (2007)

If you've done any work on yourself, maybe you've come to certain realizations about the weights and burdens you're carrying. Great! But how do you begin to unravel and release them? This bestselling guide to personal growth will be familiar to many. This was my first reading, but it's a book I'm certain I'll read again. The focus is on practical change, how to "free yourself from the habitual thoughts, emotions, and energy patterns that limit your consciousness." If this sounds appealing to you, give it a read. The ideas are succinctly and clearly explained, and yet will lead you to further thought and exploration. 


Flower, Grand, First by Gustavo Hernandez (2021)

Named for prominent streets in Santa Ana where the poet lives, the poems in this debut collection are contemplations about immigration, family, loss, and sexuality. Born in Jalisco, Mexico, Gus immigrated to the United States in the 1980s with his family, and his search for that birthplace and the family left behind were main inspirations. A evocative and heart-searing collection, brilliantly written. I was lucky to have the author join me for a chat about creativity and his writing, which you can view here. 


That's the list! These are my only 5-star reads for the year. But...to round out the number to an even 10, I give you three honorable mentions.


If on a winter's night a traveler by Italo Calvino (1979)

The experimental novel is, like Fever Dream, unlike anything you've read before. It's a postmodernist classic, a frame story about a reader trying to read a book called, well, If on a winter's night a traveler. It's about reading, and writing, and perspective, and how to experience storytelling, and relationships, and much more. The only reason I wouldn't give it a full five stars is because I felt that at some point, the ambitious structure and method took it slightly off the rails. 


The Best American Poetry 2021 by David Lehman (series editor) and Tracey K. Smith (guest editor)

Want to read more poetry? These anthologies are a great way to wade in. Of course, any anthology will include a wide range of writing and not all of it will be your cup of tea. That's why it's difficult to give the top rating to an anthology. But this one is very good, and now you can find the 2022 version as well.

Love by Hanne Ørstavik (2018)

Often there's a certain, raw directness about Scandinavian literature that I truly love. Authors like Fredrik Backman and Karl Ove Knausgaard have found their way into wide circulation, and personally, I anxiously await any translation of the work by one of my favorites, Per Petterson. As I write this, I'm wondering if this region should be a focus for my summer reading project...hm. 

This novel, Love, returns us to the beginning of this list, and the discussion of point of view. This slim tale tells about a day in the life of a single mother and her son. The narrative switches back and forth between their perspectives, in ways that will surprise and intrigue. The overall effect is a binding one, keeping this story taut around its mood and theme.

As always, I pay special attention to end-of-year reading lists, and would love to hear about your favorites of 2022, as well. Happy New Year to all.

Wednesday, December 22, 2021

Favorite Reads, 2021


The year is drawing to a close and as I look back over my reading for the year, I realize I’ve fallen short of my goals. But it’s for good reasons. In 2021, I was fortunate to have an increased amount of editing work, which means I was reading future books rather than those already on the shelves. Also, I read a fair amount of student papers, and even started writing another novel. I’m grateful for all of these aspects of my reading and writing life! In the tradition of this blog, here are the stats for the year.

In 2021, I read 28 books—down from 44 in 2020 and 30 in 2019. This year’s leisure reading included 14 novels, 1 short story collection, 6 memoirs and 7 graphic novels. The graphic novels are, of course, novels, but I distinguish them as a separate category this year so I can give the format a little plug here. My typical procedure for my end-of-year list is to choose my five-star reads and this year, there were only six. In no particular order:


Echoland by Per Petterson (1989)

Per Petterson is one of my favorite authors, and I was surprised to find a novel of his on my shelf that I hadn’t read. The international, translated version of Echoland was released in 2016, but the novel was originally published in Norwegian in 1989. Petterson’s writing, for me, evokes a depth of feeling similar to the work of other favorites—Kent Haruf, Marilynne Robinson—a quality that is difficult to explain. He quietly presents everyday moments in their resplendent glory. Haruf called it “the precious ordinary.” These writers strike a chord for me, some universal understanding about life’s struggles and joys and questions. Echoland didn’t disappoint. A coming-of-age story, the novel follows Arvid, a 12-year-old on holiday in Denmark. Arvid has the energy and observational skills of young adulthood, and a fair amount of unbridled longing—for answers, for adventure, for autonomy. There’s a strain of grief in his family, and Arvid is awakening as a sexual being as well. And Petterson creates a mood of apprehension and expectation that brings the reader right along. It’s a remarkable novel.


The Haunting of Hill House by Shirley Jackson (1959) 

This National Book Award finalist by one of our great American masters is considered by some to be one of the best ghost stories—if not the best—written in the 20th century. Adaptations abound, such as the 2018 Netflix series. The novel involves the named house, and four main characters who have arrived to investigate the paranormal activities within. Reportedly, Jackson was inspired after reading about a group of 19th century “psychic researchers.” The resulting novel is about the house, but it’s really about the four characters and their pasts, motivations, and relationships. And it’s a spooky read, one that evokes a mood you won’t soon forget. I read this novel for my Summer of Houses project, and wrote more about it here.


Klara and the Sun by Kazuo Ishiguro (2021)

I had many thoughts when I finished this new novel by the acclaimed author of one of my favorite, all-time novels, The Remains of the Day, but the main one was simple: How did he do that? And by “that,” I mean, how did Ishiguro manage to write an entire novel from the point of view of an “Artificial Friend”—an unique and objective persona on the outskirts of human feeling and insight, and yet, manage to keep this reader enthralled and entirely engaged? The novel begins in a store, where Klara and the other AFs await purchase by a family. As she interacts with humans, Klara’s innocence and moldability act as a mirror in which humanity’s foibles and strengths materialize. The novel raises existential questions: what does it mean to be human, to love, to lose ourselves? What are the best parts of being human, and the worst? And it does all of this while presenting a plot with twists and turns. I’ll think about this book for a long, long time, and how it reflects and interacts with Ishiguro’s other books.


Pale Morning Light with Violet Swan by Deborah Reed (2020)

The more I think about that Petterson novel, the more I realize I probably left it on my To-Read stack on purpose, waiting for a calm period of time when I could fully enjoy and absorb it. The same is true for this novel by Deborah Reed, which I purchased as soon as it came out but waited for the right time to read. The author and I have been acquainted for some years; early on, we bonded over our mutual love of Haruf, Petterson, Robinson, and her writing, for me, lives in the same realm and always touches me on some visceral level. This novel presents Violet Swan, a ninety-three-year-old artist in the last chapter of her life. She lives quietly on the second floor above her only son and his wife, painting abstract, colorful versions of comfort and calm. But a storm is brewing inside Violet, and the arrival of her beloved grandson sets in motion a string of events and the unearthing of memories she has kept hidden most of her life. It’s a stirring novel, full of soul and purpose and what Ms. Reed’s writing always means to me—that nurturing of an innate recognition of the feelings and complexity of our lives. This story and these characters are expertly drawn and continue to walk around in some corner of my mind.


Almost American Girl by Robin Ha (2020)

Almost American Girl is a memoir that begins with the teen Robin, whose life in Seoul, Korea, is disrupted when her mother announces a move to America. She leaves her friends and life behind, abruptly dropped into a place where she doesn’t speak the language or know the customs. Her relationship with her mother ruptures and she’s cut off from the world of comics she enjoyed in Korea. Robin’s story echoes the struggles many immigrants face, and it makes insightful observations about identity, gender expectations, and the power of artistic expression. Ha wrote and illustrated the book in muted colors that reflect her experiences, both in Korea and her new home, and the confusion of arriving in a foreign place and trying to make connections. If you haven’t dipped your toe into graphic/illustrated books yet, this would be a great place to start.


Long Way Down: The Graphic Novel by Jason Reynolds (2020)

Will is a teenager who’s just lost his older brother, Shawn, to what appears to be a gang shooting. Boys and young men in Will's neighborhood are taught three rules: No crying, no snitching, and always get revenge. So Will grabs a gun and sets out to avenge his brother’s death. Long Way Down takes place during the elevator ride in Will’s building; at each floor, he’s visited by the ghosts of men lost to gun violence. As they tell their stories and advise Will, he goes through a rollercoaster of emotions as he decides whether to live by the rules or not. This graphic novel version is an adaptation of Reynold’s 2017 award-winning book of the same name, and it’s truly enhanced by Danica Novgorodoff’s illustrations. She presents watercolor images that bleed through panes and create an eerie, memorable effect. Another highly recommended entry to the world of graphic novels, if you’re interested.


And speaking of graphic novels, here are some more recommendations. I read mostly in the YA and Middle Grade categories, because of the Children’s Literature class I teach, but I’m looking to expand more into adult offerings in the new year.

 

The Magic Fish by Trung Le Nguyen (2020)

Tien communicates with his Vietnamese immigrant mother through the fairy tales they read together. She struggles with English, and he struggles with coming out. This beautifully illustrated novel is touching and lyrical, a true reading experience.

 

Daytripper by Fabio Moon (2011)

This unique book presents several versions of the life of Bras de Olivias Deominguez, and several versions of his death. Each chapter starts at a different point of his life, demonstrating life’s possibilities, joys and sorrows, and in the end, the tenuousness of existence itself. Uniquely, brilliantly illustrated.

 


American Born Chinese by Gene Luen Yang (2008)

A ground-breaking, acclaimed book that reads like a modern fable. Three distinct characters come together in unexpected ways in this novel that touches on Chinese history, immigration, and self-realization.

 

Monday, December 21, 2020

Favorite Reads, 2020

 

What can we say about 2020 that hasn’t been already said (and continues to be said, as we fight our way through the dregs of it)? Well, how about…I read more books this year! There’s one positive outcome. Through this endless expanse of homebound months, I read 44 books, up from 30 last year. In my finished pile this year: 29 novels, 4 short story collections, 5 memoirs, 3 poetry collections, and one autobiography. Last year, I said I wanted to read more biographies this year, which I did not do, and more young adult fiction, which—in part, thanks to my teaching job—I did. It should be noted that one of the books I read this year was a graphic novel, and I expect to have that as a new category in 2021, considering the eagerly anticipated stack on my shelf right now. I also expect to continue reading memoirs in the coming year, particularly those that experiment with form. From time to time, I work on my own strange-form memoir. And I’m beginning to formulate my summer reading project, which will have something to do with place as character—specifically, with houses. If you favor a book in which a house is one of the main characters, kindly send me your recommendation.

So many of the books I read in 2020 struck a deeply personal chord with me. Perhaps my antennae were open and receiving to emotionality during this unprecedented year; perhaps those were the type of reads that caught my eye and attention. In the end, it doesn’t matter. So many books were a balm for me this year. Of my ten favorite reads, most had some sort of autobiography or memoir element, whether it be direct, poetic, auto-fictional, or something else. As always, I enjoy reads that inspire contemplations about genre although in the end, it doesn’t really matter. Feeling in writing is what breaks through, at least for me. 

In no particular order, my favorite reads of the year:

 

 Glen Rock Book of the Dead by Marion Winik (2010)

After a discussion about writing memoir, my friend and colleague (thanks, Jessica!) said I would love this slim memoir, and I did. In chronological order throughout short chapters, Winik reminisces about people she has known who died. Each section is titled (i.e. The Eye Doctor, The Bon Vivant, The Graduate); some are people quite close to her and some are known through others. All left an imprint on her and as she writes about these losses, much more is revealed about Winik herself, life in general, and the times we live in. A unique, surprising—and ultimately, touching read.


Department of Speculation by Jenny Offill (2014)

This novel reads like a series of journal entries, short observations from the point of view of a mother, a wife. When the marriage falters due to an infidelity, she retraces the events of their relationship, trying to find a way forward. She talks about the isolation and fulfillment of motherhood, and about striving for a creative life amidst life’s demands. She notices patterns and brings up things she’s read and learned, all in a concentrated effort to make sense of life, her life. I loved this book. Like the best poetry, I often wanted to take my eyes from the page after reading a section and lean back, enjoying the ripples of association. Another unique, contemplative and beautiful read.


The Carrying by Ada Limón

How does one speak about poetry, about a collection that speaks to so many deep truths? In this stunning book of poems, Limon shows the range of human experience, the burdens and joys we carry from beginning to end. Maybe it’s best if I share my favorite.

After the Fire

You ever think you could cry so hard

that there’d be nothing left in you, like

how the wind shakes a tree in a storm

until every part of it is run through with

wind? I live in the low parts now, most

days a little hazy with fever and waiting

for the water to stop shivering out of the

body. Funny thing about grief, its hold

is so bright and determined like a flame,

like something almost worth living for.

 

Between the World and Me by Ta-Nehisi Coates (2015)

This National Book Award winner garnered many more accolades in the year it was released and it’s been on my shelf for some time. Written as a series of letters to his son that touch on the history of African Americans in this country, Coates describes his own life experiences within the framework of racial inequity. In describing what it’s been like for him to survive and make his way as a black man, he also he expresses his fears and hopes for his son. Toni Morrison called the book “required reading,” and CNN named it one of the most influential books of the decade. I only wish I had gotten to it sooner.

 

Late Migrations: A Natural History of Love and Loss by Margaret Renkl (2019)

This captivating, introspective book marries grief with hope, and reminds us that humans exist within the folds of nature. Renkl has experienced many of the life changes we all experience: marriage, children, aging parents and loss. In chapters that alternate between memories of family stories, episodes of love and grief, and observations of the plant and animal life outside her back door, a narrative emerges: we are all part of the world, good and bad, bloom and decay, happiness and pain. For me, reading this book was akin to having your hand held. A wise, comforting, and beautifully written book.

 

Based on a True Story (2017) by Delphine de Vigan

The only end-of-year entry from my Summer of France reading (I wrote more about it here), this international bestseller is a surprising and wholly entertaining read. It’s fiction (or is it?), a suspenseful read that follows the friendship between Delphine (the character), who is a writer, and the mysterious woman who reemerges from her past (or has she?). The suspense lies, in part, in figuring out which parts are true, might be true, couldn’t be true. It’s a compelling read with a dark undercurrent. As I said, a great diversion for the elements of the story, but it managed to be an exploration of literature too, and how we determine what is true/real and what is fiction/imagined. And if you’ve been paying attention to the books on my 2020 list so far, you will know that this is a current exploration of mine as well.


The Poet X by Elizabeth Acevedo (2018)

Another National Book Award winner (in this case, for Young People’s Literature), this novel-in-verse tells the story of Xiomara, an Afro-Latina teen who finds her voice through spoken word and poetry. Acevedo says she wrote the book to shed light on the experiences of girls who aren’t often the protagonists of novels. This coming-of-age story addresses religion, the first spark of sexuality, family pressures, and the powers of creative and self-expression. An engaging read, it’s beautifully crafted and packs much emotional resonance.

 

The Book of Boy by Catherine Gilbert Murdoch (2018)

This middle grade novel takes place in the Middle Ages. Boy is a child who has survived the plague but lives in a village desiccated by not only disease, but generations of war as well. When a mysterious pilgrim arrives and chooses Boy to accompany him on a quest to collect the relics of St. Peter and return them to Rome, the adventure of his life begins. It’s a quest story, but so much more, because Boy has much to learn on this pilgrimage—about true spirituality and morality, about the bonds that join people, and about his own true nature. I loved this book for its unique setting, and for the surprising layers in this lovely story for young people.

 

Eleanor Oliphant is Completely Fine by Gail Honeyman (2018)

The main character of this novel, Eleanor Oliphant, is somewhat of a misfit. Her social skills are questionable, she often says the wrong thing, and she doesn’t spend time with people all that much. When she meets Raymond, a similarly eccentric type, their relationship is the catalyst for her journey back into life and love. This book is funny and smart and full of unseen twists, introducing a character you will remember for a long time. It may seem strange for me to compare this book to the last one on my list—The Book of Boy—but it strikes me that they are similar in many ways. Both are about the redemption available when two unlikely hearts meet.

 

Olive, Again by Elizabeth Strout (2019)

One of my most anticipated books in a long time, and now, one of my favorite reads of the year. Strout picks up the story of Olive Kitteridge, the character from her 2008 Pulitzer-Prize-winning novel of the same name. When you love a book as much as I loved the first, you worry about a sequel living up to your expectations. In this case, I was not disappointed. Strout has a way of imbuing life’s ordinary events with gravitas—because, of course, it is exactly life’s most ordinary events that have the most impact. Like Eleanor Oliphant, Olive is a character who is as large as life, and Strout surrounds her with a cast who reveal themselves to be as people are: confounding and endlessly complicated but also, opportunities for warm connection.


Looking back over my list of the year, I would say that what all of these books—whether novel, memoir, or poetry—have in common are that they somehow, in some way, highlight the importance and redemption of human connection. Isn’t that what the best stories are about? I hope your year of reading sustained you somewhat through the challenges 2020 threw our way. As always, I’d love to hear about your favorite reads of the year!

 

 

Tuesday, December 31, 2019

Favorite Reads, 2019


I was debating whether or not to do my usual write-up this year. It didn't feel like I read that much and I wasn't sure I had many five-star experiences, as far as books go. But it turns out that in 2019, I finished 30 books, up one from last year’s count of 29. Perhaps this range is a new normal. I was so busy with other things: editing, writing (short stories, the bulk of that pesky YA I’ve been dancing around for years, and the beginnings of what looks to be some sort of memoir), and teaching, both workshops and my first experience in a university classroom. So I’m pleased with this number. 

My reading list for 2019 is the most varied I can remember in terms of genre. Of the 30, only 18 were novels. I read one short story collection (a crime!) and 11 books that fall into the “Other” column. Of these: two essay collections, two memoirs, one grammar guide and three other books that address the writing craft and/or life in some way. I read one book of "tree portraits"—a botanical guide of sorts, one collection of the extra bits an author has written as introductions to other books, and one scientific-leaning book about the hidden life of the tree world.

Readers of this blog know that the bulk of my summer was consumed with thoughts and readings about trees, so I won’t revisit that here. A couple of those books made their way onto my list, however, which I will begin here. My eight favorite reads of the year, in no particular order, are:

Meetings with Remarkable Trees by Thomas Pakenham (1997)

This is that book of tree portraits, one of the most unique books I’ve ever read, one that surprised me, educated me and surprisingly, touched me. Read my original post here.

The Overstory by Richard Powers (2018)

This Pulitzer-Prize-winning novel—also from my Summer of Tree Books—is an wholly original, encompassing read with a unique form and layer upon layer of meaning. I wrote several posts while reading it; here are my first impressions, which were gushing.

Ordinary Grace by William Kent Krueger (2013)

This is a literary mystery about several deaths over the summer of 1961 in a small, Minnesota town. But it’s also a poignant, coming-of-age tale and an exploration of memory and how tragedies can be reconciled with notions about God’s grace. I suppose if I had to choose just one book from my list as a recommendation, it would be this one, for its beautiful writing and deeply felt wisdoms.

How to Write an Autobiographical Novel by Alexander Chee (2018) 

These essays deal with what’s promised in the title—considerations of autobiography in writing—and other topics about the craft of writing, but they encompass much more too: reading, identity, politics, family, culture, and one man’s experiences in and out of making art.

The Friend by Sigrid Nunez (2018)

From the publisher: “A moving story of love, friendship, grief, healing, and the magical bond between a woman and her dog.” And I would argue that if you start this book hoping for a This Dog’s Life vibe, you will be disappointed. It’s definitely about all of those things, but the dog is almost beside the point. As a writer, this is one of those novels that blows open a world of possibility. As a human, it reached me in ways I couldn't have anticipated. This novel sneaks up on you and doesn’t let go for a long time. Well deserving of all the praise, in my opinion.

Dreyer’s English by Benjamin Dreyer (2019)

Yes, a guide to grammar was one of my favorite books of the year. This book is funny and entertaining and satisfying on so many levels to those of us who care about such things. If you don’t, then maybe you wouldn’t like it. But I can’t really imagine anyone not liking it.

Sudden Fiction: American Short-Short Stories by Robert Shapard and James Thomas (Editors) (1983)

Considered by many to be the harbinger of the rise of flash fiction in the U.S. (although, certainly, flash has existed for centuries), this collection edged its way onto my list. Not every story is a five-star read, but enough of them are to justify recommending it here. So many great pieces that hold up these many years later. 

Sing, Unburied, Sing by Jesmyn Ward (2017)

The story of a Mississippi family told in alternating perspectives, including a ghost’s. This beautifully written novel bridges past and present, the living and those who have passed, and illuminates the complicated bonds of family and unpleasant truths about America’s history. This was my last read of the year and an inspiring springboard into 2020.

What are my reading goals for the new year? Here are the books calling to me from my to-read pile, as of right now. In the coming year, I plan to read more YA and possibly, a biography or two. I’d like to continue seeking out novels and memoirs that experiment with form. And for my summer reading project, I might just build a French theme around that Hilary Mantel book.

As always, I’d love to hear about your very favorite reads of the year, or any recommendations you may have. Happy reading in the new decade!

Thursday, December 6, 2018

Favorite Reads, 2018

It’s that time of the year again, the end (or near the end), when we readers revisit the books that impacted us, the stories that made us laugh and cry, shake our heads in wonder or bow down in respect. For me, the year’s best were the ones that managed to break through and shake me up. It was a tough year personally, lots of loss, turmoil and change. I spent the first few months of 2018 on a lifeboat, concentrating on breathing and keeping a firm grasp as the waves bucked around me. There were long stretches during which I didn’t read at all. When I finally put my feet on dry land, I realized that although many foundations had been ripped from under me, reading was one I had taken from myself. Because of course books are often the ballast keeping me upright. So my list this year will have a chronological aspect, as I tell you how and why each of these books was like a foothold in a storm.

I finished only 29 books this year. I used to average about a book a week but for the past few tumultuous years, that number has dwindled. This year was particularly low, unsurprisingly. I read 21 novels, 7 short story collections and one memoir. Of note: three of the books were YA novels, research for a project I’m perpetually almost starting; also, two books that didn’t make the best list, Isadora by Amelia Gray and The Song of Achilles by Madeline Miller, have historical inspirations. One book defies all genres perhaps. But here they are, my top five books for 2018, resonating lifesavers one and all.
 
 In January, I excitedly tore into Deborah Reed’s newest novel, The Days When Birds Come Back (2018). Ms. Reed has been on my end of year list before, in 2014 (and wow, what a year of books that was, now that I’m looking back), and she’s always been a writer whose particular style and sensibilities hit me right in the heart. This novel is my favorite she’s written. It’s the story of June Byrne and Jamison Winters, two protagonists in a holding pattern caused by grief and guilt. This is the story of their meeting, on the Oregon coast where June has hired Jamison to renovate her grandparents’ bungalow. Here’s a bit from my initial review, because I like this part: “She shines a warm light on the profoundness of everyday existence, what the late writer Kent Haruf called ‘the precious ordinary.’ As we follow these characters getting through their days as we all do, we learn more about what they’ve lived through as we experience their coming together at the perfect time, in the perfect place. It seems a sort of miracle, like life itself.” Because I had been in a long state of grief when this novel arrived, and also because Ms. Reed writes like an angel, it moved me profoundly. This book will always hold a dear place in my heart, like a childhood friend.


In March, I attended the Master’s Workshop held at the Tucson Festival of Books every year. I hadn’t been reading (or writing) much, but the days amongst writers, talking about writing, were like a shot in the arm. I took home a couple of books written by one of the workshop leaders, Kevin Canty, and in May, I finally read one. His story collection, Where the Money Went (2009), is a contemplation on love and the loss of it. His characters are heavy with testosterone but also hope, and I think what struck me to the core was the stubborn tendency they all had to pursue tenderness and connection, even when it seemed it would most likely lead to pain and more emptiness. Reviewers have compared Canty’s writing to O’Connor, to Carver, to Banks, and I think the comparisons are quite justified. These are masterful stories.
 
In July, I cracked open another eagerly-anticipated novel, Kudos (2018), the third in Rachel Cusk’s trilogy. The second, Transit, was my very favorite read of 2017, and the first, Outline, was an honorable mention in 2016. Those of us who worship Cusk’s trilogy—mostly writers I know—have a hard time putting into words just what it is that vibrates us so. As for form, the story is told through the protagonist’s interactions with other people. She is merely an outline; we come to know her as she moves through life. So there’s much to say about form and how it excites us writers because of the newness and possibilities of what Cusk has done. But what makes Kudos and the entire trilogy stand head and shoulders above so many other books, for me, is probably because it traces the journey of a woman who is forging a new reality and identity after loss. It’s about a woman building a new life after a divorce, a mother trying to do right by her children, a person trying to rediscover that lost, innate part of herself that ultimately, can fully embrace life. Yeah. So it was personal for me, unsettling and deeply comforting at the same time. Amazing books.
 

I think Cusk’s writing cracked me open, reminding me of the foundational joy that I wasn't getting enough of throughout the end of my marriage and loss of my mom—READING, duh!, and in this spirit, I started my Summer of Chabon. I wanted to read immersive novels, to be transported for some good chunks of time, as good novels can do. And my first read, Michael Chabon's Wonder Boys (1995), did not disappoint. Many people have read (and loved) this book, or maybe you saw the movie, so I won’t go on and on here. Revisit my ravings here, if you’d like. Wonder Boys was also a July read.

 
My Summer of Chabon had some rocky moments, so I took a breather with Jamel Brinkley’s story collection, A Lucky Man (2018). Like Canty’s stories, the characters in this debut have a decidedly male perspective, for whatever that’s worth. But the writing is crisp, purposeful and wise, never letting go for a moment. Brinkley writes about characters growing up and navigating a world as boys and men of color, dealing with race but mostly, with relationships and the longing and performance they require. Brinkley’s vivid writing in these timely stories stayed with me a long time; it’s a true sign of greatness when a writer can bring you to experiences far outside your own and leave you with a feeling of understanding. If anything, in this #Metoo time, these stories remind us that manhood is a condition to be explored as well, particularly when boys are left adrift.

I’m happy to report that my reading pace has picked up, and I hope to have a longer list to share in 2019. As always, I take notice when people tell me about their very favorite reads of the year, so please feel free to do just that below. And happy reading in the new year!

Tuesday, December 13, 2016

Favorite Reads, 2016


 
For some time, I’ve been averaging a little more than one book a week, but this year I finished just an even forty. There are a couple of reasons for this. One: I read several longer books, and slogged through some other books that seemed to take a long time because I hated them (they will remain unnamed). And two: I did some of the writing I was procrastinating about in 2015, when I read seventy books. I think this is a respectable reason.   

I’ve chosen twelve books as my favorite reads of the year, and two honorable mentions. So fourteen, total, to recommend. Eleven are novels and three are collections of short stories. As always, these aren’t necessarily 2016 releases, but merely books I read during the calendar year. And without further accounting, here they are:
 
 
If I had to choose a "reading event" of 2016, it would have to be the Elena Ferrante novels. As many, many readers before me have already discovered, the story of the friendship between Lila and Elena is dizzyingly addictive, a feast of sights, sounds and drama. Ferrante's portrait of 1950s-to-present-day Naples is one for the ages. It's not often you read something you feel is a major work of the century but in my opinion, these novels will stay and stay and stay. All four were good but I particularly loved #2:
The Story of a New Name (2013) by Elena Ferrante
and #4:
The Story of the Lost Child (2015) by Elena Ferrante
 
Another big reading/writing event of my year would be meeting the acclaimed writer Richard Bausch, and being fortunate enough to participate in his writing workshop. But before that happened, I had already read this story collection and was as impressed with it as I was with the one that made my favorite list in 2015.
Something is Out There (2010) by Richard Bausch

Quietly and resolutely, with careful attention to people and their foibles, Bausch has a way of getting to what he says should be the genesis of every story--what the trouble is. Relationships and regret, longings and mistakes: his characters are our neighbors and friends, our family. And through all the trouble, always a glimmer of hope. Beautiful writing.
 
 All the Light We Cannot See (2014) by Anthony Doerr
 
I challenge you to find someone who read this Pulitzer-Prize-winning best-seller and wasn't completely enraptured by it. Because I can't. And enraptured I was. This story of a blind French girl and a German boy during World War II has absolutely everything you could ever want in a novel. Beautiful writing, amazing scope, unforgettable characters. A stunning achievement, truly.
 
The Remnants (2016) by Robert Hill
 
A quote: Wandering is as much rootedness as aimlessness as ambition. Had the screech in the night not drawn dweller out of his dark cave, nor hunger, nor a tingle in his loins that pointed the way to something he couldn’t quite put his opposable thumb on, he’d have grown restless on his haunches no matter what and been out of that rock hold just because out was not in. It’s the need for a single moment to shift in shape if only slightly from now to then, here to there, this to that…that compels the every twitch, blink, sniff, step and reach.
 Here's my review for The Rumpus of this difficult-to-describe, utterly unique novel.
 
The Door (1987) by Magda Szabó
 
The narrator of this novel is a writer whose work, along with that of her writer husband, has been banned by the Hungarian government. But the ban has been recently lifted; they sequester themselves in a village to write. The wife sets out to find a housekeeper, and her relationship over many years with the older woman she hires is the focus of the novel. It's a flawed, complicated union, one that put me in mind of Ferrante's Lila and Elena, in the many ways these two women are inextricably joined. The novel was recently brought to a U.S. audience with a 2015 edition courtesy of New York Review of Books Classics.
 
The Keepers of the House (1964) by Shirley Ann Grau
 
This modern classic focuses on the Howland family, denizens of the American south, and keepers of their sprawling estate and many secrets. A novel of haunting imagery and poetic flashes, it reads at times like the best suspense novel. A classic that well deserves its continuing audience.
 
Thirteen Ways of Looking (2016) by Colum McCann
 
This collection is comprised of three stories and the title novella, the story of an elderly judge's final day and the converging forces that conspire to end him. In "Sh'khol," a mother keens and searches for her special needs son, who has disappeared after a swim off the coast of their home in Ireland. McCann's characters weather the forces of fate, while clinging to what hope remains.
 
 The Cove (2012) by Ron Rash
 
It's hard not to think of Carson McCullers when a mute flautist enters center stage in Rash's novel set in 1950s North Carolina. Rash writes with the same spare intensity, the same attention to the quiet, everyday moments that define life. Laurel and her brother live alone out by a murky cove. She is believed to be a witch; he has lost a limb in the war. When the mute enters their lonely existence, their world spins apart. I suppose it isn't a perfect novel but because of the sheer force of it, I didn't care.
 
The Beauty of Ordinary Things (2013) by Harriet Scott Chessman
 
This novel slowly reveals the connection between Benny, a soldier recently returned from Vietnam and Sister Clare, who is also adjusting to a new normal as she becomes accustomed to cloistered life. This slender book packs so much humanity, spirit and grace into its pages, with writing you'll want to savor and illuminating moments that leave an indelible impression. A lovely read.
 
Fourth of July Creek (2014) by Smith Henderson
 
Pete Snow lives in an impoverished area of rural Montana, trying to make a difference to dysfunctional families in his role as a social worker. Trouble is, his own family is falling apart too. I raced through the first 2/3 of this book on a long flight, entirely transported by the often-dark world and the characters Henderson depicts. Abuses and neglect, bad decisions and lack of self-control; at times the story felt like a tanker headed to an iceberg. And although the final sections of the book tied up in ways that disappointed me, it couldn't diminish the punch of the rest.
 
Alberto's Lost Birthday (2016) by Diana Rosie
Alberto has no memories prior to his arrival at an orphanage during the Spanish Civil War. When his young grandson discovers that Alberto doesn’t know the date of his birthday, the two set out on a journey to find it. This was my third read of this wonderful story, because Diana is an acquaintance from the former authonomy.com, where we met while trying to get our novels published. I was thrilled to discover hers, finally, in a bookshop at the Barcelona airport when I passed through this summer. I wrote about it here.

 
HONORABLE MENTIONS:
 
100 Years of the Best American Short Stories (2015), Lorrie Moore, editor

One of my longer reads of the year and because it's a sundry collection of stories, difficult to choose as an overall favorite. There were stories that knocked my socks off and several I had a hard time getting through. I suppose with any edited collection, there will be disagreement about the choices. Many of the stories here are stellar, though, and well worth the hardcover price.
 
Outline (2015) by Rachel Cusk

A book I can't stop thinking about, unlike any novel I've ever read. Readers will love it or hate it but like me, I think you'll be unable to shake it. A novel for writers that feels at time like a puzzle, at others like a tease. Wholly intriguing.
 
 
 
 As always, I'd love to hear your favorites of the year because what's a To-Be-Read pile, if it isn't completely unachievable? Happy reading in the new year!
"As soon as we express something, we devalue it strangely. We believe ourselves to have dived down into the depths of the abyss, and when we once again reach the surface, the drops of water on our pale fingertips no longer resemble the ocean from which they came...Nevertheless, the treasure shimmers in the darkness unchanged." ---Franz Kafka